Of darkness in the child

I have just finished watching Nymphomaniac: Vol. I, Lars von Trier’s movie which IMDB describes as “A self-diagnosed nymphomaniac recounts her erotic experiences to the man who saved her after a beating.” To illustrate the emerging sexuality of Jo, the main character, the writer and director von Trier has her recount two experiences from her pre-teens.

In one, she described the feeling she had when climbing ropes in a gym “with the rope between my legs, the sensation, we called it”. In the other, she described “playing frogs”, sliding clothed on her front over the tiles of a soaking wet bathroom floor with legs splayed.

Given his notoriety, I half expected von Trier to come up with something more sensationalist than this. After all I have grown up to be in many ways the complete opposite of a nymphomaniac but I share very similar childhood experiences with Jo, the ropes in the gym, (I assume we have all been there?) and I played frogs once, but perhaps more daringly, in the pouring rain in my back garden. The things we do when growing up. I just did not expect two of my experiences to be echoed in a Lars von Trier film.

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“On the tiles (1997)”

The image is not me ‘playing frogs’ although it does have erotic undertones, which were not intended when I captured it on grainy underexposed film in Kentish Town in 1997. It’s completely unretouched, part of a series of images I chose to call ‘dirty film’. That title, some would suggest, does have something in common with Nymphomaniac: Vol. I, but that does von Trier a dis-service because his films are rather deeper than that.

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